The Tamron 150-500mm f/5-6.7 Di III VC VXD is a seriously compelling super-telephoto zoom lens, particularly for Sony E-mount and Fujifilm X-mount shooters looking for serious reach without breaking the bank or their back.

It’s a lens that delivers sharp images, surprisingly effective vibration compensation, and speedy autofocus in a remarkably compact and manageable package for its focal range. This isn’t just another long lens.

This lens steps into a competitive arena, but it carves out a niche by offering an impressive 500mm on the long end in a form factor that feels more akin to a 100-400mm lens.

Its optical design, featuring multiple low dispersion and aspherical elements, is geared towards minimizing aberrations and delivering crisp details across the zoom range.

The inclusion of Tamron’s VXD Voice-coil eXtreme-torque Drive linear motor for autofocus means it’s fast, quiet, and precise – crucial for tracking unpredictable subjects.

Coupled with their renowned VC Vibration Compensation, you’re looking at a lens designed for handheld shooting, allowing you to ditch the tripod in many scenarios and stay agile.

For those who need to get close to the action from afar, or capture elusive subjects, this Tamron offering presents a truly attractive alternative to heavier, more expensive professional-grade lenses, making advanced telephoto capabilities accessible to a broader range of photographers.

Product Name	Mounts Available	Max Aperture	Min Focus Distance	Weight approx.	Key Feature 1	Key Feature 2	Price Range USD
Tamron 150-500mm f/5-6.7 Di III VC VXD	Sony E, Fujifilm X	f/5-6.7	23.6″ 0.6m	4.14 lbs 1.88kg	Compact for its range	VXD AF motor	$1000 – $1300
Sony FE 200-600mm f/5.6-6.3 G OSS	Sony E	f/5.6-6.3	94.49″ 2.4m	4.65 lbs 2.115kg	Internal zoom mechanism	Built-in OSS stabilization	$1800 – $2000
Sigma 150-600mm f/5-6.3 DG DN OS Sports	Sony E, Leica L	f/5-6.3	22.8″ 0.58m	4.65 lbs 2.100kg	Robust build quality	Dual-action zoom	$1300 – $1500
Fujifilm XF 150-600mm f/5.6-8 R LM OIS WR	Fujifilm X	f/5.6-8	102.36″ 2.6m	3.52 lbs 1.60kg	Optimized for APS-C	Lightweight for range	$1800 – $2000
Tamron 100-400mm f/4.5-6.3 Di VC USD	Canon EF, Nikon F via adapter for mirrorless	f/4.5-6.3	63″ 1.6m	2.5 lbs 1.135kg	More compact alternative	Excellent image quality	$700 – $900
GoPro HERO12 Black	N/A Action Camera	Fixed	N/A	0.34 lbs 0.154kg	HyperSmooth 6.0	5.3K60 Video	$350 – $400
Manfrotto Befree Advanced Travel Tripod	N/A Tripod for general photography/videography	N/A	N/A	3.48 lbs 1.58kg	Compact folded size	Ball head included	$150 – $200

Table of Contents

Performance Unleashed: Sharpness, Autofocus, and Image Stabilization

When you pick up a super-telephoto zoom, you’re looking for a few core things: it needs to be sharp, focus fast, and keep things steady.

The Tamron 150-500mm f/5-6.7 Di III VC VXD absolutely delivers on these fronts, often exceeding expectations for a lens in its price category. This isn’t some delicate piece of kit. it’s built to perform in the field.

Optical Acuity: How Sharp is Sharp?

Let’s talk about sharpness, because that’s often the first question on anyone’s mind for a long lens. The Tamron 150-500mm doesn’t disappoint.

Center Sharpness: Across the board, from 150mm all the way to 500mm, the center sharpness is very good wide open. You’ll get crisp details on subjects, even if you’re shooting at f/6.7 at 500mm. This is crucial for wildlife where you’re often pushing the limits of available light and need to shoot wide open.
Corner Sharpness: While corners are rarely as sharp as the center on any lens, especially a zoom, the Tamron holds up remarkably well. At shorter focal lengths 150-300mm, the corners are respectable, especially stopped down a bit. At 500mm, there’s a slight drop-off, but it’s still more than acceptable for real-world use, particularly considering the subject matter typically shot with such a lens is often centered.
Chromatic Aberrations: Tamron has done an excellent job controlling both longitudinal and lateral chromatic aberrations. You’ll find very little purple fringing or green tinting, even in high-contrast areas. This means less post-processing headache and cleaner images straight out of the camera.
Vignetting: Like many long lenses, there’s some vignetting wide open, particularly at 150mm. However, it’s generally minor and easily corrected in post-processing. By f/8, it’s largely negligible.

Autofocus Speed and Precision with VXD

The VXD Voice-coil eXtreme-torque Drive linear motor is a real game-changer for this Tamron lens. It’s incredibly fast, silent, and accurate.

Speed for Moving Subjects: For birds in flight or athletes in action, speed is king. The VXD motor locks onto subjects rapidly and tracks them with impressive tenacity. Compared to some older screw-drive or even ring-type USD motors, this is a noticeable step up. It’s not quite the level of flagship professional primes, but it gets you 90% of the way there for a fraction of the cost.
Silent Operation: Whether you’re shooting video or trying not to scare off wildlife, the silent autofocus is a huge plus. There’s no audible hum or whine, just smooth, swift focus acquisition.
Tracking Performance: When paired with modern Sony E-mount or Fujifilm X-mount bodies that have advanced tracking capabilities like Real-time Tracking AF, the Tamron 150-500mm performs admirably. It keeps subjects in sharp focus even as they move erratically within the frame.

Vibration Compensation VC: Handheld Freedom

Tamron’s VC system has always been among the best, and in the 150-500mm, it’s no different.

This stabilization is critical for a long lens, allowing you to shoot handheld in situations where a tripod would normally be mandatory.

Real-World Effectiveness: Many users report getting sharp handheld shots at shutter speeds several stops slower than the traditional reciprocal rule. For example, at 500mm, you might expect to need 1/500s or faster. With the VC engaged, you can often achieve sharp results at 1/125s or even slower, depending on your technique. This is invaluable for low-light shooting or when you need to keep your ISO down.
Modes of Operation: The lens typically features multiple VC modes, often including a standard mode for general shooting and a panning mode for tracking horizontal movement. This versatility ensures optimal stabilization regardless of your subject’s motion.
Impact on Image Quality: The VC system operates smoothly, without introducing any noticeable jitters or loss of sharpness. It seamlessly integrates with the camera’s in-body image stabilization IBIS for even better combined performance, especially on Sony bodies.

Ergonomics and Build Quality: A Practical Tool

A lens that’s going to be out in the field needs to be robust and comfortable to handle.

The Tamron 150-500mm f/5-6.7 Di III VC VXD strikes an excellent balance between durability and portability for its focal range.

It feels solid in hand, inspires confidence, and offers practical features for real-world use.

Size and Weight: Surprisingly Manageable

This is where the Tamron truly shines compared to many of its competitors, especially fixed aperture super-telephotos.

Compact Design: At 8.3 inches 209.6mm long and with a maximum diameter of 3.66 inches 93mm when retracted, it’s remarkably compact for a 500mm lens. This makes it far more backpack-friendly than a 600mm prime or even some 150-600mm lenses.
Manageable Weight: Weighing in at approximately 4.14 lbs 1.88kg including the removable Arca-Swiss compatible tripod collar, it’s heavy enough to feel substantial but light enough to be handheld for extended periods. This is a significant advantage for mobile wildlife photographers or sports shooters who don’t want to be tethered to a tripod all day.
Balance on Camera Bodies: The lens balances well on full-frame mirrorless bodies, particularly larger ones like the Sony a7 series. While it’s still a front-heavy setup, the overall weight distribution feels good for handheld shooting.

Build Materials and Weather Sealing

Tamron has a good reputation for build quality in their modern Di III lenses, and the 150-500mm is no exception.

Robust Construction: The lens barrel is primarily made of high-quality engineering plastic, which contributes to its lighter weight while still feeling durable. The mount is metal, ensuring a secure connection to the camera body.
Fluorine Coating: The front element features a fluorine coating, which repels water, oil, and dirt, making it easier to clean. This is an essential feature for a lens likely to be used outdoors in various conditions.
Moisture-Resistant Construction: Tamron states the lens has a moisture-resistant construction, meaning seals are placed at critical points to prevent water ingress. While it’s not designed to be submerged, it offers good protection against light rain, mist, or dust, which is crucial for wildlife photography. Always exercise caution in extreme weather, but this lens provides a good level of environmental protection.

Controls and Handling: Intuitive and Accessible

The layout of the switches and rings on the 150-500mm is thoughtful, making it easy to adjust settings without taking your eye from the viewfinder.

Zoom Ring: The zoom ring is broad, well-damped, and requires a comfortable twist about 75 degrees to go from 150mm to 500mm. There’s also a zoom lock switch to prevent lens creep when carrying it pointed downwards.
Focus Ring: The manual focus ring is smooth and offers good tactile feedback, allowing for precise adjustments when using manual focus.
Switches: You’ll find three key switches:
- AF/MF Switch: For quickly toggling between autofocus and manual focus.
- VC Switch: To enable or disable the Vibration Compensation.
- VC Mode Switch: To select different VC modes Mode 1 for general, Mode 2 for panning.
Arca-Swiss Compatible Tripod Collar: The included tripod collar is excellent. It rotates smoothly, has detents for easy alignment, and is Arca-Swiss compatible, so you can mount it directly onto most modern tripods without needing an extra plate. This is a huge convenience feature. The collar is also removable if you prefer to shoot without it, reducing the overall weight.

Versatility in Application: More Than Just Birds

While super-telephoto lenses like the Tamron 150-500mm f/5-6.7 Di III VC VXD are often pigeonholed for wildlife and sports, its range, compactness, and performance open up a surprising number of other photographic avenues.

Thinking outside the box can lead to some truly unique shots.

Wildlife Photography: The Obvious Choice

This is, without a doubt, the lens’s prime directive.

If you’re passionate about capturing elusive creatures, the 150-500mm focal range is ideal.

Reach for Skittish Subjects: Many wild animals are wary of human presence. The 500mm reach allows you to maintain a respectful distance while still filling the frame with your subject, whether it’s a deer grazing in a field or a bird perched high in a tree.
Detail and Cropping Power: Even on full-frame cameras, the ability to get tightly framed shots means you have plenty of detail. On APS-C bodies, like the Fujifilm X-T5 or Sony a6700, the effective focal length becomes 225-750mm Fujifilm X-mount or 225-750mm Sony E-mount APS-C, providing even more reach for smaller, more distant subjects. This can be a must for bird photography.
Minimum Focus Distance: The lens boasts an impressive minimum focus distance of just 23.6 inches 0.6m at 150mm, and 70.9 inches 1.8m at 500mm. This allows for surprisingly close-up shots of larger insects, flowers, or even small reptiles, adding another layer of versatility to your wildlife toolkit. It’s not a true macro lens, but it can certainly get you closer than many other telephotos.

Sports and Action Photography: Freeze the Moment

For events where you can’t get physically close to the action, the 150-500mm becomes an indispensable tool.

Field Sports: From soccer pitches to baseball diamonds, this lens lets you capture dramatic moments of players in action, even from the sidelines or stands. The fast VXD autofocus system is crucial for tracking fast-moving athletes.
Motorsports: Whether it’s cars zipping around a track or motorcycles leaning into a turn, the reach allows for tight compositions. The VC’s panning mode can help you achieve those classic motion-blurred backgrounds while keeping the subject sharp.
Concerts and Events: If you’re shooting from a distance, the telephoto reach can isolate performers on stage, creating intimate portraits even in large venues.

Landscape and Astrophotography: Compressing Perspective

Moon Photography: The 500mm reach is excellent for capturing detailed shots of the moon, especially when paired with a high-resolution sensor. You’ll be able to see craters and surface features clearly.
Deep Sky with limitations: While not ideal for wide-field astrophotography, the 150-500mm can be used for capturing larger deep-sky objects like the Andromeda Galaxy or Orion Nebula, especially on an equatorial tracking mount. The f/6.7 at 500mm isn’t super fast, but stacking multiple exposures can yield good results.

Portraiture Creative Use: Isolating Subjects

Yes, you can even use a 500mm lens for portraits, albeit in a very specific, creative way.

Extreme Subject Isolation: At 500mm and f/6.7, your depth of field is incredibly shallow, even from a distance. This allows you to completely blur out distracting backgrounds, creating a unique, almost ethereal separation for your subject.
Environmental Portraits from a Distance: You can capture candid shots of subjects from a long distance, allowing them to behave naturally without the intrusion of a close-up lens. This is great for street photography or capturing people in their environment without them noticing you.
Compression for Flattering Results: The telephoto compression can be very flattering for portraits, as it tends to flatten facial features slightly, which can be desirable for certain looks.

Comparison to Alternatives: Finding Your Fit

The market for super-telephoto zooms, particularly for mirrorless cameras, has grown significantly.

The Tamron 150-500mm f/5-6.7 Di III VC VXD sits in a sweet spot, offering excellent value and performance.

Let’s stack it up against some key competitors to help you decide which one is right for your kit.

Tamron 150-500mm vs. Sony FE 200-600mm f/5.6-6.3 G OSS

This is arguably the most direct competitor for Sony E-mount users.

Focal Length: The Sony has a longer reach at 600mm compared to Tamron’s 500mm, which can be crucial for tiny or very distant subjects.
Aperture: Both lenses have variable apertures, but the Sony is slightly faster at 600mm f/6.3 than the Tamron at 500mm f/6.7. This is a minor difference, but every bit of light counts.
Internal Zoom: The Sony 200-600mm features an internal zoom mechanism, meaning the lens does not extend when zooming. This maintains balance, keeps dust out, and is generally preferred by professionals. The Tamron 150-500mm extends significantly when zoomed.
Size and Weight: The Tamron is significantly more compact and lighter 1.88kg vs. 2.115kg. This is its biggest advantage. The Sony, while excellent, is a much larger and heavier lens.
Autofocus: Both lenses have fast and reliable autofocus. The Sony, being a native G lens, might have a slight edge in some specific tracking scenarios, but the Tamron’s VXD is incredibly capable.
Price: The Tamron is typically $500-800 cheaper than the Sony, making it a much more budget-friendly option.
Decision: If maximum reach, internal zoom, and absolute top-tier native performance are your priority and budget isn’t a primary concern, the Sony FE 200-600mm f/5.6-6.3 G OSS is superb. If portability, a more compact form factor, and a better price-to-performance ratio are key, the Tamron is the clear winner.

Tamron 150-500mm vs. Sigma 150-600mm f/5-6.3 DG DN OS Sports

Another strong contender, especially on Sony E-mount and Leica L-mount.

Focal Length: Sigma offers 600mm vs. Tamron’s 500mm.
Aperture: Sigma is f/6.3 at 600mm compared to Tamron’s f/6.7 at 500mm.
Build Quality: The Sigma Sports line is known for its incredibly robust, all-metal construction and extensive weather sealing. It feels like a tank. The Tamron is well-built but uses more engineering plastic. This robustness comes at a cost of weight.
Size and Weight: The Sigma is notably heavier 2.10kg vs. 1.88kg and slightly longer, especially when zoomed. It’s a bigger, bulkier lens overall.
Zoom Mechanism: Sigma offers both a traditional twist zoom and a push-pull zoom mechanism, which some photographers love for quick adjustments. The Tamron is twist-only.
Features: The Sigma often includes more custom function switches, a focus limiter, and optical stabilization modes that can be further customized via Sigma’s USB dock. The Tamron is more streamlined.
Price: The Sigma typically sits a bit higher than the Tamron, but generally less than the Sony 200-600mm.
Decision: If you prioritize ultimate durability, 600mm reach, and don’t mind the added weight, the Sigma 150-600mm f/5-6.3 DG DN OS Sports is a fantastic choice. For a lighter, more compact, and slightly more affordable option with excellent performance, the Tamron wins.

Tamron 150-500mm vs. Fujifilm XF 150-600mm f/5.6-8 R LM OIS WR for Fuji X-mount

For Fujifilm users, this is the native alternative.

Focal Length: Fujifilm offers 600mm native reach, equivalent to 900mm on APS-C. The Tamron 150-500mm provides 750mm equivalent.
Aperture: The Fujifilm lens is slower at the long end f/8 at 600mm compared to the Tamron f/6.7 at 500mm, meaning less light gathering capability.
Size and Weight: The Fujifilm lens is surprisingly light for its range 1.60kg due to its smaller image circle design for APS-C. The Tamron is heavier 1.88kg but covers a full-frame sensor.
Autofocus: Both lenses feature fast linear motors for AF. Fujifilm’s LM Linear Motor is quick and quiet.
Internal Zoom: The Fujifilm 150-600mm is an internal zoom lens, offering consistent balance and a sealed design.
Price: The Fujifilm is significantly more expensive than the Tamron, often retailing for $500-700 more.
Decision: If you prioritize native integration, internal zoom, and maximum APS-C reach without concern for price or absolute light gathering, the Fujifilm XF 150-600mm f/5.6-8 R LM OIS WR is the way to go. However, the Tamron offers a compelling alternative with a faster aperture at 500mm, a slightly heavier but still manageable build, and a much more attractive price point, making it a high-value proposition for Fuji shooters who don’t need that absolute 600mm end.

Real-World Scenarios and Practical Tips

Having the right gear is only half the battle.

Knowing how to use it effectively in real-world scenarios makes all the difference.

The Tamron 150-500mm f/5-6.7 Di III VC VXD is a fantastic tool, but understanding its nuances can elevate your photography.

Handheld vs. Tripod: When to Choose Which

The Tamron’s excellent VC system makes handheld shooting viable, but there are times when a tripod is still your best friend.

Handheld Benefits:
- Agility: Quickly reframe shots, track moving subjects without cumbersome setup.
- Mobility: Ideal for hiking, spontaneous wildlife encounters, or crowded events where a tripod isn’t practical.
- Faster Setup: No need to level, extend legs, or secure your camera. Just point and shoot.
- When to Use: Bright light conditions ample shutter speed, tracking fast action, short bursts of shooting, or when carrying minimal gear.
Tripod Benefits:
- Maximum Sharpness: Eliminates all camera shake, essential for pixel-peeping detail or large prints.
- Low Light/Long Exposures: Crucial for shooting at slower shutter speeds e.g., 1/30s or slower in dim light or for creating motion blur effects with a stationary subject.
- Compositing/Stacking: Necessary for focus stacking, exposure blending, or stacking multiple astrophotography exposures for noise reduction.
- Fatigue Reduction: Takes the weight off your arms during long shooting sessions.
Pro Tip: Even when shooting handheld, find something to lean against – a tree, a fence post, your knee – to maximize stability and help the VC system. A monopod is also a fantastic compromise, offering more stability than handheld with greater mobility than a tripod. Consider a sturdy but portable option like the Manfrotto Befree Advanced Travel Tripod for versatility.

Optimizing Camera Settings for Telephoto Zooms

Getting the most out of your 150-500mm requires specific camera settings adjustments.

Shutter Speed: This is paramount. For static subjects handheld, aim for at least 1/250s at 500mm, but faster is always better. For moving subjects birds in flight, sports, you’ll often need 1/1000s, 1/2000s, or even faster to freeze motion. Don’t be afraid to bump up your ISO to achieve the necessary shutter speed.
ISO: Use Auto ISO with a sensible maximum limit e.g., ISO 6400 or 12800 depending on your camera’s noise performance. This allows the camera to raise the ISO as needed to maintain your desired shutter speed, ensuring sharp images.
Aperture: While the lens is sharp wide open, stopping down by one stop e.g., from f/6.7 to f/8 at 500mm can often yield even better sharpness and depth of field. For maximum subject isolation, shoot wide open.
Autofocus Mode:
- Continuous AF AF-C / AI Servo: Absolutely essential for any moving subject.
- Tracking Mode: Use your camera’s advanced tracking modes e.g., Sony Real-time Tracking, Fuji Wide/Tracking with a flexible spot or zone to lock onto your subject and follow it across the frame.
- Focus Limiter: The Tamron 150-500mm does not have a physical focus limiter switch. However, you can often set a focus range limit in your camera’s menu e.g., Sony’s “Focus Range Limiter” or Fuji’s “Focus Limiter” function with compatible lenses. This can speed up AF acquisition when you know your subject will be beyond a certain distance.
Drive Mode: Use High-Speed Continuous Shooting Hi+ to capture bursts of action and increase your chances of getting that perfect shot.

Maintenance and Care: Extend Your Lens’s Lifespan

A good lens is an investment, and proper care ensures it lasts.

Cleaning: Use a lens pen, micro-fiber cloth, and lens cleaning solution for fingerprints and smudges. A rocket blower is great for dust and debris. Never use harsh chemicals or abrasive materials.
Storage: When not in use, store your lens with caps on, preferably in a dry, dust-free environment. A padded camera bag is essential for transport.
Weather Sealing: While the lens is moisture-resistant, it’s not waterproof. In heavy rain, use a rain cover for cameras. After shooting in wet conditions, wipe the lens down thoroughly before putting it away.
Lens Hood: Always use the included lens hood. It helps prevent flare from off-axis light sources and provides physical protection for the front element against bumps and scratches.

Optical Characteristics: More Than Just Sharpness

While sharpness is often the headline, a lens’s overall optical characteristics paint a fuller picture of its performance.

The Tamron 150-500mm f/5-6.7 Di III VC VXD demonstrates good control over various aberrations, contributing to its strong image quality.

Bokeh: The Quality of Out-of-Focus Areas

For a super-telephoto zoom, especially one with a variable aperture, bokeh can be a concern.

Smoothness: The Tamron 150-500mm features an 8-blade rounded diaphragm, which helps in rendering pleasingly smooth out-of-focus areas. While not as creamy as a fast prime, especially one with a wider aperture, the bokeh is generally soft and non-distracting, particularly at longer focal lengths and closer subject distances.
Distraction: At 500mm and f/6.7, subjects can be incredibly isolated from their backgrounds, creating a strong separation effect. Even if the background isn’t perfectly buttery, the sheer compression and narrow depth of field at this focal length ensure that backgrounds are blurred beyond recognition for most practical purposes.
Highlights: Specular highlights like distant lights can sometimes show a slight “cat-eye” shape towards the edges of the frame, especially wide open, but this is common for many lenses and not overly pronounced here. Overall, the rendering is quite good for a zoom lens.

Flare and Ghosting Resistance

Controlling flare is crucial, especially when shooting outdoors where light sources can be challenging.

Effective Coatings: Tamron employs its proprietary Broad-Band Anti-Reflection BBAR G2 Coating, designed to suppress internal reflections and ghosting. In most situations, the lens handles flare very well.
Direct Sunlight: When shooting directly into the sun or with a strong light source just outside the frame, you might encounter some minor ghosting or a slight reduction in contrast. However, this is largely manageable and on par with, if not better than, many comparable lenses.
Lens Hood Importance: Always use the included lens hood. It’s designed to block extraneous light and significantly reduces the likelihood of flare and ghosting, helping to maintain maximum contrast and saturation in your images.

Distortion Control

Distortion can be a common issue with zoom lenses, especially at the wider and longer ends of their range.

Minimal Distortion: The Tamron 150-500mm exhibits remarkably well-controlled distortion.
- Pincushion Distortion: At 150mm, there’s a very slight pincushion distortion lines bowing inward.
- Mid-Range: Distortion is virtually negligible in the mid-range around 250-350mm.
- Telephoto End: At 500mm, there might be a minuscule amount of pincushion distortion again, but it’s so minor it’s unlikely to be noticeable in real-world images, especially for typical wildlife or sports subjects.
In-Camera Correction: Modern mirrorless cameras, and post-processing software like Adobe Lightroom, often apply automatic lens profile corrections. With these applied, any residual distortion becomes effectively zero, meaning your straight lines will remain straight.

Firmware Updates and Future-Proofing

In the world of mirrorless cameras, lenses are increasingly sophisticated and rely on software for optimal performance and compatibility.

Tamron has a good track record of supporting their lenses with firmware updates.

Importance of Firmware

Compatibility: Firmware updates ensure continued compatibility with new camera bodies and future camera software updates. As camera manufacturers release new models with enhanced autofocus capabilities or improved stabilization, lens firmware often needs to be updated to take full advantage of these advancements.
Performance Improvements: Updates can refine autofocus algorithms, improve image stabilization performance, fix bugs, or even introduce new features. For example, an update might improve tracking accuracy for specific types of subjects or enhance low-light AF performance.
Bug Fixes: Like any complex electronic device, lenses can have minor software bugs. Firmware updates address these, ensuring smoother operation and reliability.

How to Update Tamron Lenses

Tamron has made the firmware update process relatively straightforward for their Di III lenses, especially those released for Sony E-mount and Fujifilm X-mount.

USB-C Port: The Tamron 150-500mm f/5-6.7 Di III VC VXD features a USB-C port directly on the lens barrel. This is a must compared to older lenses that required a separate tap-in console.
Tamron Lens Utility Software: You’ll need to download and install the free Tamron Lens Utility software on your computer Windows or macOS.
Connection: Simply connect the lens directly to your computer using a USB-C cable not included. The software will recognize the lens and check for available updates.
Process: Follow the on-screen prompts within the Tamron Lens Utility to download and install the latest firmware. It’s usually a quick and painless process.
Future-Proofing: The presence of this direct USB-C port for updates significantly future-proofs the lens, ensuring it can evolve with your camera system and continue to perform optimally for years to come. This is a huge convenience factor and a testament to Tamron’s commitment to supporting their products.

The Value Proposition: Is It Worth It?

Ultimately, the decision to invest in a lens comes down to its value proposition: what you get for your money.

The Tamron 150-500mm f/5-6.7 Di III VC VXD presents a very strong case for itself.

Price vs. Performance

Aggressive Pricing: Tamron has consistently positioned this lens at a price point that significantly undercuts native offerings like the Sony 200-600mm or Fujifilm 150-600mm while offering comparable, and in some aspects, superior performance to its direct third-party competitor, the Sigma 150-600mm DN.
High Value: For its cost, you are getting an incredibly capable super-telephoto zoom. The sharpness, fast and quiet autofocus, and excellent vibration compensation are features typically found in much more expensive professional lenses. It delivers professional-level results without the professional-level price tag.
Accessible Telephoto: This lens makes serious telephoto photography accessible to a much broader audience, from serious enthusiasts to working professionals who need a versatile and relatively lightweight telephoto option without breaking the bank. It removes the financial barrier that often prevents photographers from venturing into long-lens territory.

Who Is This Lens For?

Wildlife Photographers Enthusiast to Pro: This is the obvious primary user. Its reach, speed, and stabilization are perfect for birds, mammals, and other elusive creatures. The relatively compact size means you’re more likely to take it with you on hikes or longer shoots.
Sports Photographers Amateur to Semi-Pro: For sideline action, school sports, or even some professional events where you can’t be pitch-side, the 150-500mm offers great reach and fast AF to capture the decisive moment.
Aviation/Airshow Enthusiasts: Getting sharp shots of planes in flight requires reach and speed, and this lens delivers.
Sony E-mount and Fujifilm X-mount Users: This is specifically designed for these mirrorless systems, offering superb integration and performance without the need for adapters.

Potential Trade-offs to Consider

While largely positive, it’s worth being realistic about any lens.

Variable Aperture: At f/5-6.7, it’s not the fastest lens, especially at the long end. This means you’ll be pushing ISO more in low light or needing faster shutter speeds, which can sometimes be limiting.
External Zoom: The extending barrel means the lens changes length, which can affect balance slightly and might be a concern for dust ingress though weather sealing helps.
Not a Prime: While optically excellent for a zoom, it won’t match the absolute corner-to-corner sharpness or wide-open light-gathering capability of a dedicated prime lens e.g., a Sony 400mm f/2.8 GM, but those cost many times more.
APS-C Equivalent: For Fujifilm X-mount users, remember that while the lens provides a massive equivalent reach 225-750mm, the maximum aperture also becomes effectively slower in terms of light gathering for depth of field compared to full-frame lenses of the same aperture.

In conclusion, the Tamron 150-500mm f/5-6.7 Di III VC VXD is a stellar performer and a smart investment for photographers seeking extended telephoto reach.

It’s a testament to Tamron’s commitment to delivering high-quality, practical lenses for the mirrorless era.

Frequently Asked Questions

Question

What is the effective focal length of the Tamron 150-500mm on an APS-C camera?
Answer…

On an APS-C camera, the Tamron 150-500mm f/5-6.7 Di III VC VXD has an effective focal length of approximately 225-750mm.

This is due to the 1.5x crop factor common on Sony APS-C and 1.5x on Fujifilm X-mount cameras.

Is the Tamron 150-500mm good for bird photography?

Yes, the Tamron 150-500mm is excellent for bird photography.

Its 500mm reach 750mm equivalent on APS-C, fast VXD autofocus, and effective VC Vibration Compensation make it highly capable for capturing both perched and flying birds.

Does the Tamron 150-500mm have image stabilization?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD features Tamron’s proprietary VC Vibration Compensation image stabilization, which is highly effective for handheld shooting at long focal lengths.

Is the Tamron 150-500mm lens weather-sealed?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD has a moisture-resistant construction, with seals placed at critical points to provide protection against dust and moisture.

Can I use the Tamron 150-500mm for sports photography?

Yes, the Tamron 150-500mm is well-suited for sports photography.

Its fast VXD autofocus motor and significant reach allow you to capture action from a distance.

What is the minimum focusing distance of the Tamron 150-500mm?

The minimum focusing distance of the Tamron 150-500mm f/5-6.7 Di III VC VXD is 0.6m 23.6 inches at the 150mm end and 1.8m 70.9 inches at the 500mm end.

Is the Tamron 150-500mm sharp wide open?

Yes, the Tamron 150-500mm is generally very sharp wide open, particularly in the center of the frame, across its entire zoom range.

Does the Tamron 150-500mm work with teleconverters?

No, at the time of its release, the Tamron 150-500mm f/5-6.7 Di III VC VXD is not compatible with Tamron’s own teleconverters.

Compatibility with third-party teleconverters might vary but is generally not recommended.

How heavy is the Tamron 150-500mm lens?

The Tamron 150-500mm f/5-6.7 Di III VC VXD weighs approximately 1.88 kg 4.14 lbs including the removable Arca-Swiss compatible tripod collar.

What mounts is the Tamron 150-500mm available for?

The Tamron 150-500mm f/5-6.7 Di III VC VXD is available for Sony E-mount and Fujifilm X-mount mirrorless cameras.

Is the Tamron 150-500mm an internal zoom lens?

No, the Tamron 150-500mm is an external zoom lens, meaning the barrel extends significantly as you zoom from 150mm to 500mm.

Does the Tamron 150-500mm have a focus limiter switch?

No, the Tamron 150-500mm f/5-6.7 Di III VC VXD does not have a physical focus limiter switch on the lens barrel.

However, some camera bodies may allow setting a focus range limit in their menus.

How does the Tamron 150-500mm compare to the Sony 200-600mm?

The Tamron 150-500mm is more compact, lighter, and more affordable than the Sony FE 200-600mm f/5.6-6.3 G OSS. The Sony offers greater reach 600mm and features an internal zoom, making it larger and heavier. Both offer excellent sharpness and autofocus.

Is the autofocus silent on the Tamron 150-500mm?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD features Tamron’s VXD linear motor, which provides very fast, precise, and virtually silent autofocus performance.

What is the aperture range of the Tamron 150-500mm?

The Tamron 150-500mm has a variable maximum aperture of f/5 at 150mm, transitioning to f/6.7 at 500mm.

The minimum aperture is typically f/22 at 150mm and f/32 at 500mm.

Does the Tamron 150-500mm come with a tripod collar?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD comes with a removable, Arca-Swiss compatible tripod collar.

Can I update the firmware of the Tamron 150-500mm myself?

Yes, the Tamron 150-500mm has a USB-C port on the lens barrel, allowing users to update the firmware directly using Tamron’s Lens Utility software.

Is the Tamron 150-500mm good for handheld shooting?

Yes, thanks to its effective VC Vibration Compensation and relatively manageable weight for a super-telephoto, the Tamron 150-500mm is very capable for handheld shooting, especially in good light.

How many aperture blades does the Tamron 150-500mm have?

The Tamron 150-500mm f/5-6.7 Di III VC VXD features an 8-blade rounded diaphragm, which helps in rendering pleasing bokeh.

What lens coatings does the Tamron 150-500mm use?

The Tamron 150-500mm uses Tamron’s BBAR-G2 Broad-Band Anti-Reflection Generation 2 coating to suppress ghosting and flare, and a fluorine coating on the front element for easy cleaning.

Is the Tamron 150-500mm a full-frame lens?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD is designed for full-frame mirrorless cameras, but it also performs well on APS-C bodies, where it provides an even greater effective reach.

Does the Tamron 150-500mm suffer from significant chromatic aberration?

No, the Tamron 150-500mm f/5-6.7 Di III VC VXD exhibits very good control over chromatic aberrations, with minimal purple fringing or color shifting in high-contrast areas.

Is the Tamron 150-500mm suitable for video recording?

Yes, the silent and smooth VXD autofocus makes the Tamron 150-500mm suitable for video recording, and the VC stabilization helps to keep handheld footage steady.

How does the Tamron 150-500mm compare to the Sigma 150-600mm DG DN Sports?

The Tamron 150-500mm is lighter and more compact than the Sigma 150-600mm f/5-6.3 DG DN OS Sports, which offers 100mm more reach and a more robust, heavier build.

Both are excellent optically, with the Tamron often being slightly more affordable.

Does the Tamron 150-500mm have good bokeh?

For a variable aperture zoom lens, the Tamron 150-500mm offers surprisingly pleasing bokeh, especially at its longer focal lengths where the subject can be effectively isolated from the background due to shallow depth of field and telephoto compression.

Can I use filters on the Tamron 150-500mm?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD has an 82mm filter thread on the front, allowing you to attach various filters like UV, CPL, or ND filters.

What is the magnification ratio of the Tamron 150-500mm?

The maximum magnification ratio of the Tamron 150-500mm f/5-6.7 Di III VC VXD is 1:3.1 at the 150mm end, allowing for surprisingly close-up shots for a telephoto lens.

Is the tripod collar removable on the Tamron 150-500mm?

Yes, the tripod collar on the Tamron 150-500mm f/5-6.7 Di III VC VXD is removable, allowing you to shed some weight if you primarily shoot handheld.

Does the Tamron 150-500mm work well in low light conditions?

While its f/5-6.7 maximum aperture isn’t considered “fast,” the Tamron 150-500mm’s excellent VC stabilization system helps significantly in low light for static subjects.

For moving subjects in very dim conditions, you may need to increase ISO or use a faster lens.

Does the Tamron 150-500mm have a zoom lock?

Yes, the Tamron 150-500mm f/5-6.7 Di III VC VXD features a zoom lock switch to prevent the lens from extending or retracting unintentionally when carrying it.

BestFREE.nl

Tamron 150 500Mm F5 67 Di Iii Vc Vxd Review